The day was started with The Impossible, with Naomi Watts
and Ewan McGregor. Based on a true story
it follows a young family on vacation in Thailand caught in the terror and
mayhem of one of the worst natural disasters in modern times. Relaxing just a few steps from the beach they
are torn from each other and thrown hither and yon, broken, bleeding and half
dead. The magnitude of the suffering is
amplified by their seemingly impossible attempt to find each other or to find out what happened. With a minimum of
CGI the actual tidal wave and subsequent ebb and flow of the deadly coastal
water reminded me of the opening scenes of Saving Private Ryan. As they try to grab and hold anything they
are pushed down in the debris filled water and thrust back up into the air. It is a tale of determination in the face of
monumental confusion and no real avenues of communication. Outstanding in a cast full of brilliant
performances are Naomi Watts and newcomer, Tom Holland. The Oscars are not out of the question for this
impressive opus.
The Impossible started late and is almost 2 hours long;
coupled with a full half hour LIVE, ON STAGE interview with the lovely Ms.
Watts, I ended up missing my next film. I wandered a bit with my camera.
Later that afternoon I attended The Hypnotist, a Swedish film
based on a hit thriller by Lars Kepler.
It’s a fast paced atmospheric examination of a pair of brutal murders
with a shocking twist and denouement. It
was directed by Lasse Hallström, who directed one of my favorites from last
year’s Fest, Salmon Fishing in the Yemen.
I finished off the evening with another favorite director,
Ferzan Ozpetek. Magnificent Presence is
a ghost story set in a disheveled mansion in Rome. A young actor-wannabe moves into an old
house inhabited by the ghosts of a WWII traveling theatre company. It is funny and sweet with a dark subplot of
jealousy and betrayal. Wonderful music
and period costume add to the feast in this delicious Italian pasticcino.
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