“The Jews of Egypt” is, at best, a university level
documentary project and it isn’t an A.
The dialogue, voice over and talking heads is mostly in French and
Arabic. The subtitles are in Arabic and
English. They read like they were
translated from a dictionary with less than enough knowledge of the
language. They are also shown
simultaneously, the French and Arabic, and at such a speed as to make it next
to impossible to keep up. Some of the
stories are compelling but they jump all over the place trying to attach
themselves to core nature of the film project.
The young director seem preoccupied with the onset of Zionist influences
in the Jewish community in Cairo, painting the community as secular and its
inhabitants as Egyptians [read that as quasi-Muslim] before they were Jews.
“Any Day Now“ is the last of the “Talking Pictures” program
with Alan Cumming as the star guest.
It’s a lovely film, timely, touching and intelligent. Set in the 70s it follows the uphill battle
of two gay men trying to adopt a 14-year-old Downs Syndrome boy who has been
abandoned by his junky mother. The
performances are so good, the writing so witty and heart felt that this film
has become a darling of the Film Fest circuit.
And who know that Cumming has such a great singing voice?
“Angel’s Share” is another feel good film set in Scotland
and concerning a rather odd heist scenario.
Four young people trying to make something of themselves decide to rob
an angel’s share of a very rare Scotch.
It is funny and real and bloody difficult to understand. It would be a damn near perfect movie if it
had subtitles.
“Mental” stars the ever brilliant Toni Colette as a wild
woman hired to nanny for 5 very troublesome girls while their mother is “on
holiday” at a mental institution. Their
father, Anthony LaPaglia is a philandering politician concerned only with his
campaign. A menagerie of case studies
from the DSM inhabits the neighborhood, literally. There is lots of laugh-out-load silliness,
over-the-top characters and garish color.
An addition to the pantheon of Australian humor this is a film for the
whole family.